5,864 Free Images of Art, Design, & Architecture Museum

the power of form applied to geometric tracery (1851)metropolitan museum of artdepartment of drawings and prints, metropolitan museum of artetching printthe elisha whittelsey collectionpen and brown inkwoodcutmathäus küsella vera perfettione del disegno di varie sorte di ricami (1564)black chalk
Design for a Cartouche, Plate from Dietterlin's Architecttura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Costume Design for 'Third Ballet Girl (Italian)', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Design for a Fountain, plate 80 from Dietterlin's Architettura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Drawing, Design for Elevation of a Window Case, ca. 1750, Filippo Marchionni, circa 1750
drawings from italy in the cooper–hewitt, smithsonian design museum - architectural elementscurtains in art
Architectural Fantasy, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Costume Design for 'Fourth Ballet Girl (Fraülein Hochspitz)' (in long beige gown), Percy Anderson, 1901
drawings in the metropolitan museum of artpercy anderson
Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d'ornement, Jacques van Merlen
jacques van merlenjean le pautre
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Design for a Fireplace Surmounted by Sphyxes and Cupid, Title Page from: Nouveaux dessins de cheminées à l'italienne, Nicolas Langlois (I), circa 1640–82
nicolas langloisjean le pautre
Design for a Frieze with Acanthus Scrolls and a Vase with Two Putti in the Center, Gilles-Paul Cauvet, circa 1777
gilles-paul cauvetle roy
Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne, Jean Leblond, circa 1644–66
jean le pautrejean leblond i
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza', Carlo Antonio Forti, circa 1690
department of drawings and prints, metropolitan museum of artcarlo antonio forti
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Procession of Sultan Süleyman through the Atmeidan, from the frieze Ces Moeurs et fachons de faire de Turcz (Customs and Fashions of the Turks), Pieter Coecke van Aelst, 1553
customs and fashions of the turks (ces moeurs et fachons de faire de turcz) by pieter coecke van aelst (metropolitan museum of art)flemish prints in the metropolitan museum of art
Print, Ruins of the Mausoleum of Octavian Augustus, "Le Antichita Romane" II, 1756, 1756
prints in the cooper–hewitt, smithsonian design museumneoclassicism
Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano, Marco Marchetti, 1561–88
department of drawings and prints, metropolitan museum of artmarco da faenza
'Dutch Landscape', c. 1921, Rookwood Pottery Co., Cincinnati Art Museum, William Purcell McDonald, circa 1921
rookwood pottery in the cincinnati art museumceramic paintings
Façade Design and Old Plan for the First Merchant's Exchange, New York (unexecuted; front elevation and plan), circa 1829
department of drawings and prints, metropolitan museum of artalexander jackson davis
The true perfection of the design of various types of embroidery, page 2 (verso), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The true perfection of the design of various types of embroidery, page 3 (verso), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The true perfection of the design of various types of embroidery, page 4 (recto), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The true perfection of the design of various types of embroidery, page 4 (verso), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The true perfection of the design of various types of embroidery, page 3 (recto), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The true perfection of the design of various types of embroidery, page 2 (recto), 1557
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
Design for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
works after abraham bossepierre firens i
Allegory of the sense of hearing, Karel van Mander III, between 1609 and 1670
17th-century genre paintings in the nasjonalmuseet for kunst, arkitektur og designpaintings by karel van mander (iii)
Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal', Israel Silvestre, 1654
giacomo torelli da fanof. francart
Costume Design for 'Fifth Ballet Girl' (Short White Dress), Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Landscape with two figures running along the bank of the river Xanto; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Two Designs for Friezes with Acanthus Scrolls, Each with a Variant, Plate 4 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Nicolas Langlois (I), circa 1645–50
prints by stefano della bella in the metropolitan museum of artnicolas langlois
Costume Design for 'Seventh Ballet Girl' (Short White and Blue Striped Dress), Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Costume Design - *Habit de Roy*, Ballet and Opera Attire, François Joullain, circa 1721
prints by claude gillotfrançois joullain
Design for a Panel with a Satyr Drinking from a Vase held up by a Putti, from: Feuillages et autres ornements, Nicolas Langlois (I), circa 1640–82
nicolas langloisjean le pautre
Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Sheet with Four Designs for Relief Decorations on Arms: Two Large Hilts for a Sword and a Dagger, and the Ornaments for the Tips of the Sheaths, Pierre Woeiriot, circa 1550–60
department of drawings and prints, metropolitan museum of artpierre woeiriot
The True Perfection of the Design of various types of garments, Giuseppe Porta, 1567
giovanni ostausgiuseppe porta
Tracing of a Ballet Costume: Woman in Ruffles, Léon Bakst, [1923]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Spring by the Seine, Claude Monet, 1878
paintings by claude monet in the nasjonalmuseet for kunst, arkitektur og designimpressionism
Portrait of a man, Master of the 1540s, 1544
paintings in the nasjonalmuseet for kunst, arkitektur og designmaster of the 1540s
Ukjent kunstner - Painting - NG.M.03476 - National Museum of Art, Architecture and DesignFXD, Johann Wilhelm Schirmer
19th-century portrait paintings in the nasjonalmuseet for kunst, arkitektur og designjohann wilhelm schirmer
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593705050), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593920650), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780762155), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777252341), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757432516), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800295333), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757462666), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757570856), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778246234), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780558595), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780225172), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593840520), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594078958), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780268562), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593837829), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777294391), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800443203), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593894267), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594102397), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777296951), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777394151), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780296322), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757745376), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593896438), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757644716), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778388714), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757697666), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777281031), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778344624), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593817929), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780553205), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593815989), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780405372), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593773848), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780505055), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594027099), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777564071), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780118312), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593919869), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594007727), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593831730), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593853240), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780384432), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780630145), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800293983), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593808559), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777523191), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778234244), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780234782), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757405356), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777527621), 1851
the power of form applied to geometric tracery (1851)
5001 - 5100 of 5,864 Next page
/ 59